
Using the edit proxy
After shooting the scenes on the camera, my group and I uploaded the rushes tape and then accessed the digital raw copy of the footage which we took from the server. We opened the edit proxy with a program called 'Final cut server'. After opening the footage my group and I started logging. I made a file called 'log bin' and then took the best shots and saved them in the log bin. I did this by going through the footage and at the beginning of a shot that I wanted I pressed the 'I' key which marked it in and then pressed the 'O' key when I wanted the mark it out. Once the clip is highlighted in and out, I then clicked modify and then modify clip. All I had to do then was labeled the shot as 'wide shot' or 'Mid shot' etc and placed it in the log bin. I continued with this until I had logged all the best shots.
Continuity Editing
Continuity editing was important for us to focus on because it is used to do a number of things: Forces the audience to hold particular characters in high importance, ensures that only the relevant parts of the story are shown, to manipulate time and space in the narrative and to make the story make sense to the audience.
If there is a problem with the continuity the story won’t make sense to the audience and will have been a waste of time.
We had a problem with continuity which we had to cut out. We had our female character facing out but in the next shot, that we decided to cut to, she was facing towards the door. This doesn’t make sense because the audience didn’t see the movement. I looked at things like eye-line matches and visual matches and match on action shots, to make sense of the shots, for example we used a wide shot, including the door opening in the shot. When we cut to the over-the-shoulder shot from our female actor’s side the door had to be included opening. It couldn’t be ‘just’ opening in the next shot it had to be open at least half way to make the movement fluid and for it to make sense to the audience.
Organising the best shots
By using the storyboard we were able to organize our shots quite easily although, when we thought necessary we used closes ups of particular objects or actors that have significance to the story, for example we added a close up in of the case being put down because we wanted the case to be of interest to the audience.
I did this by placing the clip on the time line and then place then next shot that I wanted to cut to there too. For example with the door opening shot, in the wide shot we cut everything after the door was half opened and then moved the other shot after that wide shot and cut it until the door was half open. This is called a match on action, which is used to move from one shot to another but without it being apparent. So that the sound all matches to I used the razor blade too, so that we didn’t have overlapping sound because if we didn’t it would be a continuity editing error and wouldn’t make sense to the audience.
Using the edit proxy
After shooting the scenes on the camera, my group and I uploaded the rushes tape and then accessed the digital raw copy of the footage which we took from the server. We opened the edit proxy with a program called 'Final cut server'.
After opening the footage my group and I started logging. I made a file called 'log bin' and then took the best shots and saved them in the log bin. I did this by going through the footage and at the beginning of a shot that I wanted I pressed the 'I' key which marked it in and then pressed the 'O' key when I wanted the mark it out. Once the clip is highlighted in and out, I then clicked modify and then modify clip. All I had to do then was labeled the shot as 'wide shot' or 'Mid shot' etc and placed it in the log bin. I continued with this until I had logged all the best shots.
Shot Order
I had to make sure that the shot order was right in order for it to make sense to the audience. This is continity coming into the equation again. For example, when i had the shot of the door opening i had to cut to a shot that showed the actor entering otherwise he would just appear out of no where. and the audience would get confused as to where he has come from.
Our shot order:
To start with we had a long establishing shot to set the scene for the audience. At this point the actress is in hot spot two of the frame. Then, still in wide, the actor enters from the left. As he opens the door half way we did a match on action to the next shot, which is an Over the shoulder of the actress looking at the actor entering, by doing this it links the scenes so it is clear to the audience that they are connected. In the same shot he begins to put the case down and we did another match on action to an extreme close up of the case being put down. This shows the audience that the case is of great importance to the story.
It then goes to an over the shoulder on the actor looking at the actress to show the audience her reactions because this was vital to the story. We then cut to a wide shot to show the relation between the too actors from their body language.
All through filming we were very conscious of not crossing the 180 degree line. This became tricky when we did a point of view shot of the actor because we were on the line in order to make it seem like the camera was the ‘eyes’ of the actor.
It then went to a wide shot of the actor leaving again. We did another match on action of him opening the door. It went from wide to an extreme close up of the door handle, making it obvious to the audience that he is leaving.
There is then a short close up of the actress to show her reaction and then a point of view of her looking down at the case. This meant that the camera was tilted down. We then finished with a close up of the door to show the audience that she hasn’t left.
The actress has the most screen time because it is important to the story line.
I think our piece turned out really well and even though there maybe slight continuity errors they are not too noticable.
































